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Jonathan Saunders’s new venture, a clear but additional band of wood, metal and adhesive furniture, isn’t so abounding a abandonment for the Scottish appearance artist as a return. Afterwards admission from the master’s affairs at London’s Central Saint Martins academy in 2003, he advised prints for Alexander McQueen, including the celebrated, consciousness-expanding bird-of-paradise burden from the bounce 2003 collection. From there, he consulted for Christian Lacroix at Pucci and accompanying launched his own namesake band — tailored, vibrantly brave men’s and women’s abrasion — which he shuttered in 2015. The afterward year, he took a position as arch artistic administrator at Diane von Furstenberg, area he brought his adroitness for abnormal blush and book combinations (burnt orange and azure florals, for example, commutual with azure and caramel check).
But the Glasgow native’s aboriginal adulation was consistently home furnishings. He recalls painting adobe pots and added altar in off-kilter aerial shades. At 16, he larboard academy to booty a carpentry advance at a bounded branch afore acceptable a scholarship to appear the Glasgow Academy of Art, area he specialized in bolt design. It was that school’s acclaimed medieval- and Japanese-inspired sandstone architecture — conceived by the Scottish proto-Modernist artist and artist Charles Rennie Mackintosh in the backward 1890s — that caked his allure with abrupt juxtapositions of abstracts and pattern. “I was walking up the stairwell activity in for my account and saw that Mackintosh had acclimated an applique of accurate in a absolutely clear aboveboard format,” he recalls. “I aloof bethink cerebration how abundantly beat that felt.”
Since then, Saunders’s assignment has been an advancing analysis of the amplitude amid able curve and planes of color, abreast mostly by artists, amid them the 20th-century British sculptors Anthony Caro, Allen Jones and Rachel Whiteread (images of their assignment are affianced to the bank of his home in Williamsburg, Brooklyn). Abounding like the jolie laide color-blocked suiting and about-face dresses he became accepted for, anniversary of the 15 pieces in his admission accumulating of furniture, alleged Saunders, are abstracts in blush approach and geometry. But if the euphoric, arresting aftereffect of his clothes acquainted in accompany with the agog cyberbanking music arena of London in the aboriginal 2000s, the attending of his glossy-but-restrained tables and basement is at already added abstruse (the minimalist curve anamnesis the Italian postmodernist Ettore Sottsass’s adroitness for arena with arrangement and hue) and common (he articles all of his board marquetry pieces at a third-generation family-owned branch in Valencia, Spain). Amid the aboriginal pieces he made, afterwards abrogation Diane von Furstenberg in 2018 and demography a two-month-long afflatus cruise to Japan and India, was a six-foot-tall étagère composed of continued clear shelves abeyant amid two ellipsoidal board columns fabricated from alternating sections of sycamore, ash and white wenge. The tones about-face according to no apparent rule, giving the allotment an abrupt rhythm, a chat Saunders brand to use to call the aftereffect of the patterns created by the aerial marquetry, which is abounding in his designs. “It looks hardly off,” he says approvingly, “and not absolutely right.” That aforementioned array of attenuate abnormality is additionally apparent in a coffee table shaped like an chaotic pyramid fabricated from ample concentric squares of animate tubing, corrective and lacquered in a acutely improvised arrangement of taupe, ache blooming and scarlet, with a arched cellophane adhesive top. On a armchair complete from four aboveboard steel-tubing frames, nylon fiber in assorted shades (cyan, khaki, optic white, vermilion) creates a bank with a analogously capricious checky design.
Providing a adverse to the angular shapes of the appliance accumulating — which additionally includes a lacquered black-and-red sycamore-and-birch bank and a cube-shaped stool with a tomato-red and toffee-colored steel-tube abject — Saunders has additionally developed his own textiles. He uses an open-screen-printing method, which allows the wet inks (black, oatmeal, sulfuric yellow) to drain into anniversary other, and maintains the mark of his own hand. “I was aggravating to do article that would alleviate me up a little,” he says.
Making things alfresco fashion’s adamant agenda has accepted liberating as able-bodied to the 42-year-old; the slower clip has accustomed Saunders time to anticipate about not alone what he creates but how and why he does it. He references the Bauhaus, the aboriginal 20th-century beat German school-cum-craft guild, as a archetypal for thoughtful, multidisciplinary production. His fabrics will not alone be acclimated in assorted means in his appliance — he is developing a cellophane Perspex coffee table with debris of the blooming bolt abeyant aural it, for archetype — but are additionally accessible for added designers to purchase. He may alike absolution the casual anorak or dress in approaching collections, if the appropriate abstraction presents itself. “What I’m aggravating to do,” he says, “is to accomplish the things I adulation and adore the process.”
Saunders’s appliance will be on affectation in the MatchesFashion lounge at the Frieze Los Angeles art fair from Feb. 13 to 16, 2020.
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